Catalogues, Books and DVDs
2010
100 Artists of the Mid Atlantic, edited by E. Ashley Rooney, Schifer Plublishing Ltd., (2011)
Leros, (illustration page 28), April, 2010/Issue 223
2007
Steve Miller: Spiralling Inward, essays by Michael Rush and Mark Auslander, The Rose Art Museum, Brandeis University
Brasil Des Focos (o ohlo de for a), Nessia Leonzini Paulo Herkenhoff, Centro Cultural Banco do Brasil, 2007(illus.”Starry Night”, page 58)
From Technological to Virtual Art, Frank Popper. Leonardo Books, MIT Press (illus. “Warring States” 2000 and “High Fidelity” 2003, page 102 and 103)
2006
Eat Protein, Steve Miller, artist book, edition 16. Examples signed and numbered with 4 artist’s proofs
Neuroculture, Visual Art and the Brain, Suzanne Anker and Giovanni Fazetto, Westport Art Center, Westport, CT (illus. “Self-Portrait Vanitas Glass” 1997)
2005
The Conspiracy of Art, Jean Baudrillard, Semiotext(e), NewYork
Kunst Aus Dem Labor: Zum Verh¬ältnis von Kunst und Wissenschaft im Zeitalter der Technoscience, Ingeborg Reichle, Edition Springer Wien New York, Vienna, Austria (illus. “Portrait of Isabel Goldsmith” 1993, “Protein” numbers 324, 358, 224, 226 pages 230 and 231)
Art et Biotechnologies, sous la direction de Louise Poissant et Ernestine Daubner, Presses de L’Universite du Quebec (12 images reproduced on the DVD)
Collection2, Phillippe Piquet, La Fondation pour l’art contemporain Claudine et Jean-Marc Salomon, Chateau d’Arenthon, Annency, France (illus. “Vanitas #111, 2000, “Self-Portrait Vanitas #44, 1998, pages 86-89)
2004
Photographie Plasticienne, L’Extreme Contemporain, Dominique Baque, Editions du Regard, Paris (illus. Portrait of Albert Benamou” 1993, “Self Portait” 1995, p 216)
Carried Away, All About Bags, general editor: Farid Chenoune, Union Central des Arts Decoratifs, Le Passage Paris-New York Editions (Illus. “My Mother’s Purse” 1995, p 51)
2003
The Molecular Gaze, Art in the Genetic Age, Suzanne Anker and Dorthy Nelkin, Cold Spring Harbor Laboratory Press, (illus. “Eat Protein” 2000, #230, #259, p.36)
Genomic Issue(s): Art and Science, Art Gallery of the Graduate Center, New York
From Code to Commodity: Genetics and Visual Art, New York Academy of Sciences, Dorthy Nelkin and Suzanne Anker (illus. “Eat Protein” 2002)
2002
Information Arts: Intersections of Art, Science, and Technology
Stephen Wilson (Leonardo Books) MIT Press.
Studios by the Sea, Bob Colacello with photographs by Jonathan Becker, Harry N. Abrams, (p. 78-80)
2001
Notes for Neolithic Quark, in association with Universal Concepts Unlimited, for the exhibition “Neolithic Quark” 2001, UCU Gallery, New York, edition of 2000, 100 copies silk-screen and signed by the artist
Digital Printmaking Now, Marilyn Kushner, Brooklyn Museum of Art, (illus, “Self-Portrait Vanitas #126, 2000, p. 73)
Mondial, Enrico Navarra, Paris (illus. “Ball Foot” p. 122)
2000
Paradise Now, Picturing the Genetic Revolution, Marvin Heiferman and Carol Kismaric, Tang Art Museum, Saratoga Springs, NY (illus, “Genetic Portrait of Isabel Goldsmith” 1993 p. 83)
13 Alumni Artists, edited by Emmie Donadio, essay by Avital Ronell and Lisa Phillips, Middlebury College Museum of Art, Middlebury, VT. (illus. “My Mother’s Purse, Chanel”, 1997 p. 21, “Self-Portrait Vanitas #96″, 1999 p. 43)
1999
Dreams 1900-2000, Science Art and the Unconscious Mind, Lynn Gamwell (editor), Cornell University Press (illus, Dreaming Brain pages 53 and 184)
1998
Pringle, Colombe, MŽmoire de la Mode, Roger Vivier, Editions Assouline, Paris (illus. x-ray of Vivier shoe p. 41)
80 Artistes Autour du Mondial, Galerie Enrico Navarra, Paris, text: Nicolas Bourriaud, Giles de Bure, Henri-Francois Debailleux, Paul Lombard, Michel Nuridsany, Pierre Restany (illus. “Foot and Ball” 1998 p. 115)
1997
Sous le Manteau Galerie Thaddaeus Ropac, Paris, text: Caroline Smulders
1997
Kevles, Bettyann Holtzman, Naked to the Bone, Rutgers University Press, New Brunswick, NJ 1997 (illus. “Portrait of Veronique Maxe” p.259, “L’Origine du Monde”p. 290)
1995
Morceaux Choisis du Fonds National D’Art Contemporain, Centre National D’art Contemporain de Grenoble
Autour de Roger Vivier Enrico Navarra Gallery, Paris (illus. “The Bride Stripped Bare”,1995)
The Outside Inside Gertrude Stein Dortmunder Kunstverein, Germany, Text: Ina Ewers-Schultz
Gene Culture: Molecular Metaphore in Visual Art, Fordham College, New York, NY, Text: Suzanne Anker
Humanism and Technology, The Human Figure in Industrial Society, National Museum of Contemporary Art,
Seoul, Korea, Text: Pierre Restany (illus. “Portrait of Pierre Restany” 1993, p.103)
1994
Logo Non Logo, Thread Waxing Space, New York, Text: Robert C. Morgan and Pierre Restany
Steve Miller: l’Origine du Monde, Espace Art Brenne, Text: Brice Matthieussent
Les Americains, Fecamp: Palais Benedictine, Text: Alain Tourneaux
1993
Computerunterstutzte Kunst Kunstlerwerkstatt Lothringerstrasse, Munich, Germany,Text: Christoph Wiedmann
Steve Miller, A.B. Galeries, Paris, France, Text: Simon Lane
1992
Steve Miller, Elga Wimmer, New York, Text: Dan Cameron
Excess in the Techno Mediacratic Society, Musee Sarret de Grozon, Arbois, France, Text: Joseph Nechvatal, Didier Gagneur, Toby Crokett, and Robert C. Morgan
1991
Steve Miller, Galerie du Genie, Locasystem International, Text: David Corey
1990
V.I.P.-video-images-peinture, Galerie du Genie, Paris, Locasystem International, Introduction: Don Foresta,
Text: Stephen Sarrazin, (Illus., “Endorphin Inhibitors”, color)
Not Painting: Jack Goldstein, Steve Miller, Nam June Paik, Gerhard Richter, S. Bitter-Larkin Gallery,
Nadelstein Press, Text: Robert Mahoney, (Illus., “Purged of All Accretions of the Familiar and Sentimental”, color)
1989
Strange Attractors Signs Of Chaos, The New Museum of Contemporary Art, Text: Trippi, (Illus., “Gradual and Willing Accomodation”, color)
Science/Technology/Abstraction, University Art Galleries, Wright State University, Dayton, Ohio, Text: Barry A. Rosenberg, (Illus., “Untitled #1″, color)
1988
Steve Miller, Galerie du Genie, Paris Groupe Locasystem
1987
Beyond Boundaries-New Yorks New Art, Saltz, Jerry, Alfred Van Der Marck Editions, 1986, (Illus., “Index”, “Schizotypal”, color)
New York, New Venue, The Mint Museum, Charlotte, NC, Text: Lisa Phillips
Digital Visions, Cynthia Goodman and Harry Abrams, 1987
The Second Emerging Expression Biennia: The Artist And The Computer, Bronx Museum of Art, Bronx, NY, Text: Patric Prince, Shalom Gorewitz
Computer Assisted: The Computer in Contemporary Art, Freedman Gallery, Albright College, Reading, PA, Text: David S. Rubin
1984
Between Here and Nowhere, Riverside Studios, London, Text: Rosetta Brooks
1983
Steve Miller: Five New Works, Burchfield Center, Buffalo, NY, Text: Rosetta Brooks
Shared Space, Bronx Museum, Bronx, NY, Text: Phillip Verre
1982
What I Do For Art, Just Above Midtown-Downtown, New York, Text: Kathleen Goncharov and Lisa Peters
Visual Politics, Alternative Museum, New York, Text: Robert H. Browning
New Drawing In America, The Drawing Center, New York, Text: Martha Beck and Marie Keller
1979
Dimensions Variable, The New Museum, New York, Text: Susan Logan, Allan Schwartzman and Kathleen Thomas
Six Artists Under Thirty, Burchfield Center, Buffalo, New York, Text: Edna Lindeman